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07-01-2010

BERST

By Leilani Momoisea

 

GBAK’s monstrous roller piece, 90 metres of pipeline sitting atop the ocean almost completely covered in paint, is a thing of legend – and not just in New Zealand’s graffiti circles. University students and...

07-01-2010

TWESH

Word by Jiroe

Twesh is one of many foreign style dons to have graced UK shores. He paints real well, is active and comes from a strong writing history. Totally Italian but with a certain understated humbleness that shouldn't be...

07-01-2010

KAK

Words Jiroe

Kak One is dope – ask anyone in the UK. Watch him paint and you see that age-old confidence of a writer that's out there non-stop. One of those guys that gets around and knows folks, but ducks under the big radar. He...

30-11-2009

Ben Horton

Words by Melissa Williams

Ben Horton is a skateboarder, graphic designer, skateboard company owner, family man, nature lover and artist who lives in California, USA. His creative work is innovative and inspirational, a...

Words by Sami Montague

Stephan Doitschinoff or under his nom de plume ‘Calma’ is an artist at the very top of his game. Working under both names, this Brazilian artist creates work of intense beauty and mystery....

30-11-2009

Jessica Joslin

Words by Kyle Niart

There’s a certain air of wonder and magic to inanimate objects that look like they’re alive but are not. Things so fine and precise in their detail they’re knocking on the doors of perfection, so totally...

30-11-2009

Gianluca Mattia

Words by Steed Williamson 

If high gloss, hyper-real, part-emo, part-punk-type vixens are your thing you will be more than glad to be introduced to the work of Gianluca Mattia. To describe these character illustrations is...

30-11-2009

Brandi Milne

Words by Melissa Williams

Self-taught South Californian Brandi Milne creates art that is a mixture of ‘nice and yummy’ with a sprinkling of ‘scary and kinda creepy’ thrown in. Mynameis? speaks to her about...

30-11-2009

OMENS

By Sami Montague

The name ‘Omens’ sounds a little menacing, perhaps even evil, but they are not reflected in the style of this writer. Omens’ style has a sweet and slick font-based look that is readable on rolling freights and...

30-11-2009

LIME

By Kyle Niart

 

There is so much innovative style writing currently coming out of France and Lime is another fine example. Hailing from Lyon, he is a highly creative individual, painting amazing pieces under the names of Lime...

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07-01-2010
ALEX GROSS

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ALEX GROSS

By Sami Montague

 

The paintings of Alex Gross are magical, loaded with imagery both logical and surreal. His influences are equally mixed and unexpected, from Victorian photography to more modern Japanese culture but one of his ultimate goals is to create art that remains timeless. He talks to My Name Is? about the importance of formal art training, why he’d prefer to be the artistic equivalent of Pink Floyd rather than Led Zeppelin and his mission to ‘paint images that look like the dream you had, or wish you had last night’.

 

Alex Gross grew up in Long Island – a place he describes as ‘the suburban backyard of Manhattan.’ In 1988, he moved to Los Angeles for art school where he settled and has lived ever since. His earliest artistic influences were comic books and movies especially the strong visuals from science fiction television and films like Star Trek and later Star Wars. These interests led to him wanting to become a comic book illustrator but he ended up spending a decade working as a commercial illustrator – a job he found ultimately unfulfilling. Finally, through art school he ‘got some other ideas.’ His route in, as an illustration major, was not totally direct though. After high school he tried a year at a university before discovering it was not the place for him. After that, he went back home and attended the Art Center College of Design – renowned as one of the best art schools in the US – and a place that made a massive impression on him. He believes he would never have achieved what he has today without that education.

 

Indeed, Gross is such a strong believer in formal art education that he now teaches as an instructor at Art Center and delights in the fact that he has ‘seen hundreds of students over the years evolve into wonderful artists. The key thing about the school was, and remains, great instructors. I don't see how being self-taught can ever be better than learning from amazing artists. How to teach art can be endlessly debated, but I firmly believe that studying with good artists who are good teachers is always the best way to learn and improve one's own work.’

 

The FULL interview with ALEX GROSS appears in issue 6 of Mynameis? magazine - click here to purchase your copy  www.graphotism.com/Subscribe-Graphotism-or-MyNameIs-Magazine.74.0.html

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