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The checkered taxi cab and dashiki may pay homage to the throwback vibe of the Sheen Bros' "It's So Hot," but directors The ICU keep this party clip fresh and focused. This red hot blast of disco rap from 4th Pyramid, Cosmo...

REVOK is the first person in history to ever tag the cover of The Wall Street Journal. The best part is that he did it from a jail cell.

26-05-2011

FREE REVOK

The Seventh Letter artist Revok was arrested and sentenced to 180 days in jail. To help pay for legal fees SEVER designed this limited edition THE SEVENTH LETTER x FREE REVOK tee shirt, all proceeds will be donated to Revok’s...

Win some limited edition artwork

To celebrate the launch of the edding Art Series Retractable Permanent Markers and Highlighters we are offering you the chance to win some signed and numbered limited edition screen prints. The...

03-11-2010

Legacy of Letters

 

 

 

03-11-2010

1 Hour of MF DOOM

 

TURN IT UP Show du 26 février 2010 – MF DOOM issue from Hiphoptimyst on Vimeo.

 

 

In part one of our studio visit to Faile’s Williamsburg workshop, we showed you the digs where the magic happens and also took a close look at the uniquely crafted building blocks that form their new works. In part two,...

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2216

07-09-2010
Shepard Fairey Prints at Subliminal

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Shepard Fairey Prints at Subliminal

As a harsh critic of Shepard Fairey, I feel a bit hypocritical posting about this show, but I really feel like it deserves some attention. Printed Matters is the name of Fairey’s latest show taking place at Subliminal Projects in Los Angeles. What interests me most about this exhibition is the fact that it is a show purely compiled of Fairey’s prints. With the increase in popularity of street art books (incidentally Fairey will be signing copies of Beyond the Street Art at the opening reception), the hit the economy has incurred in the past year and the launch of Christie’s Multiplied Art Fair, prints are becoming an essential component of mainstream commercial art work. Usually working with the themes of repetition, borrowed images and urban cultures, Fairey’s prints remind the viewer of classic dated typography and muted design, while still managing to fuse Dada-esque collage in his work. Hopefully, Printed Matters will finally show some new work by Shepard Fairey that breathes some life back into the stale overused pieces that have been pooping up in group shows and outdoor murals this past year. Give me something to be positive about, please. It is pathetic when the nicest words I have for an artist’s work coincide with the launch of a vinyl toy (which was indeed pretty awesome to say the least.)

Photo courtesy of Subliminal Projects

 

 

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